Here is an answer from Gustaf Noren, where this message is more or less well reproduced, to the question whether Mando Diao would `go back to their old Mando Diao-Sound` on the new record. The answer was:
"There is no typical Mando Diao sound. We are constantly evolving and the music grows with us. None of our albums sound as the previous one and also our new work is no exception."
Clear If you want to continue to evolve, but every band is actually always trying to find their own style and then continue to develop that style and not completely change from album to album, the genre, because that has nothing to do with development , It is rather an argument for the uncertainty, as long as one has its own style and is not found while experimenting until it is the case.
My point. At this point I want to say that Mando Diao has probably produced the most coherent with Aelita album until now. I heard on the radio only once the song Black Saturday, which I liked at first very good, although I myself was surprised first time that it comes from Mando Diao. After I then also the other songs have listened to, I realized with vast surprise that Black Saturday almost is one of the weaker songs on the album and songs like Rooftop, Money doesn`t make you a man, Romeo after repeated Listen, are again better by far. None of the albums to date was so varied in structure as Aelita and yet so coherent as a whole. It is really true that this almost forced compositions of earlier albums were dropped as a ballast of the band and Mando Diao have just produced an album where they have the first time really abated artistic immune from coercion, whether it is the wide mass like it or not.
What I also liked a lot on this album, that there is one, the songs not at the first hearing in the brain, "drill", but you can hear only after repeated pleasure in it. In previous works, it was more so that the albums you listen through the first time, the same was as a very good and almost all songs liked. Such albums in general, but mostly only show as the one-dimensional pieces on such album and at the latest after the third or fourth Through listening, the structure of the songs usually only langeweilig comes along and land the albums in the CD rack. With Aelita it looks completely different, each standing on music that he for any time, over and over again can be heard without that it begins at some point being boring, is served just right with this album. ACCESS!