Lyrically Dende, but musically quickly end

It sucks. Not immediately, but after a while.
The new wave that promises Dendemann here btw breaks after a few meters. Minutes on the own rock riffs. The attempted crossover is rather embarrassing therefore take innovative. Seen Lyrically can Dende the shrill deposits while still partially compensate, but it moves this style moderately in the long run too much on his familiar track.
What remains? A CD without too many traces on the shelf and hope that it either something really developed Cool or the Stratocaster end up back in the trunk.