This is a song already symbolizes the intention of the couple 'keep me warm', 'you' re allowed to teach me ', and what the gentleman in Kashmir twine does not create that does Garrett Lebeau with laconic voice and this' Oh please, let me crawl into his strings and there verschlängelt on forever sein' Guitar virtuosity, he makes it with his subtle caress gentle strings. SchwofSound, SlowWaltz, snake dance, HosentürlWetzer, LeChatBleuGeschmeidigkeit.
Re-Re-Re, a hundred times re-start the opener, and they dance until dawn ...
More, it would not have needed to Mister The Emotional Lebeau to choose among the best Americana guitarist, more would have been no need for him with one breath to Van Morrison, Boz Scaggs, Scaggs - especially Scaggs! Al Greens or the purpose of the serenity of JJ Cale - to raise levels or the slow-anmache ends ***** 'Wonderful Tonight' a Mister Clapton in another night of dancing.
Buttons dissolve, zippers slide apart, he wants to close, they even closer, closer to the 'BROKE DOWN DREAM', his soul slides in their blues, merged in B3-enthusiasm which is reflected in dilated pupils a 'blue eyed girl'. .., again a 'blue' ;-)
If that does not necessarily is also the motto of the album, so this color is very comfortable in the sloping hearing illustrated book instead, - The Rise Of Blue Motions', every song blue (st) of Light Sky aquamarine sea-forget-Indian-Indigo ultramarine cobalt - I missed something? to Midnight Ink blue up, the color of oblivion, of immersion and still allows the perceived categorize Mister LeBeau's music, with a blue or blue in Reservations quite different associations.
Midnight. Long have fallen Cases, the Blues given way to a rosy-violet openness, the soul is transformed into physical reality, the dance of all dances will as with any 'PASSIONATE FOOL' on the ground of a limited reserve instead -
('Garrett Lebeau from Austin, Texas released his debut album' Rise To The Grind ', eleven tracks that are not clearly classifiable, and elements of R & B, blues, folk and rock combine with Soul. Lebeau was on a reservation in Wind play born River Indian Reservation and its isolated, rural education has played a formative role in his creative development. His sound is really very peculiar, one discovers certain similarities with legendary artists such as Van Morrison, Boz Scaggs, Al Green and JJ Cale. On this album with Lebeau great musicians, including Roscoe Beck (Leonard Cohen, Robben Ford) on a velvety bass, JJ Johnson (Tedeschi / Trucks, John Mayer) on percussion, Matt Hubbard and Stefan Intelisano to C3 plus Wurlitzer, Red Young on the wonderful B3 - - Although I would have sworn that since Ian McLagan is the key magicians - *
LeBeau's lyrics often tell of his experiences in the reservation are times personally in order later to take on deeper social issues. ')
The text in brackets interprets the Amazon-Redaktion-criticism, which I still please complete a comparison with Mr. Clapton, particularly to the association from the first track. Mister Clapton must be yes so go and listen again that he can not 'sing' ... And that Garrett Lebeau can better? Nope, but playing guitar and composing, he can. And he can still what, namely painting night scenes in intensive schummrigstem blue, low-tempo songs and ballads confident and reassuring about the children of the night ... beds, and rockers (not a single song) have not rumzuknattern as well as .. So re-start of the super-title 'Crazy World', until dawn until imagined scenes dissolve in smoke blue haze -. and the candle goes out ...
Song of the Year (couple). Sexy, sexy just in a kind of 'by the way' ...
And if Mr Eric Slowhand already is, then I call Mr Garrett Smooth hand. And I'm not even naive ;-)
PS. Is not that with theoretical * Ian McLagan at the B3, Phil Madeira should have be - the purpose of Fühligkeit.
