In Detail:
Processing
The piano finish is impeccable, the LS see very valuable and also feel like that. The weight is not insignificant with less than 30 kilograms but is known sound can conjure only volume.
The speaker terminals are very classy and grasp the cable very well. Here you can choose between Bi-Wire and simple connection. Even with banana plugs very well.
Sound
The LS are absolutely aufstellungsunkritisch, ie they can be happy near the wall but also set free. A hum in the bass is inaudible.
However, one must here necessarily a Hördistanz from 2.5 m to comply with the LS and a little Squaring, so that the sound well spread.
The LS bring any even small poor quality of the recording to the fore, ie who thinks he can experience a spell with a MP3 file of 128kbit here who think coming. When the recording quality is right, you will notice an abundance of new sounds that you have not heard in other LS (for me it was a vicious system that was put completely in the shade). The LS is not only exactly in the presentation, but very neutral.
The heights are mapped very accurately. The same applies to the centers. The bass is dry and hard. Voices are very clear and have a totally unadulterated.
The full sound, however, has deployed only after a break-in period of approximately 30 hours. Immediately after unpacking I was a bit disillusioned, in fact, wanted to wait for the review but it is up to a certain break-in period and optimize the installation and acoustics.
The LS are also quite uncritically what the amplifier selection is concerned, since they have an audio code of 56. This can serve as a "setter" in itself without any problems even any Middle Class amplifier. For me they are playing in a chain with a Musical Fidelity amplifier and a Marantz CD 6005. The sound is now six weeks after layer perfectly!
The boxes are an absolute buy recommendation for anyone who sometimes demanding music (jazz, classical) listens. But also for electronic music, they are perfect and no one will miss a subwoofer.
