And Debney sets off immediately with a massive entry! In general, "Predators" more thrilling and action-packed than its predecessors. Still, he pays attention to the atmosphere and also uses a atonal composition that are more related to the movie and the scenes, but still guarantee unbelievable addictive listening experience!
In principle, "Predators" is a refreshed version of the first two scores. Debney created no new, major themes, but puts more emphasis on Silvestris main theme and it varies in all its forms. But he does it so well that you can to score several times up and down to hear. Even the old Synthtracks from the very first score is heard repeatedly, and the main theme is heard from time to time with aggressive electric guitar. Especially awesome sound this in "Predator Attack" or even in "Predator Theme". Even the subtle use of a choir, brings a new and fresh element in the music.
And so it goes then the whole 69 minutes more so: Debney creates a dignified and skilful new edition of the classics, even if he really brings nothing new, but I like the music easy. Unlike Brian Tyler "AVP Requiem" the score is not in action under storm, Debney adheres anyway something back and knows how to also make the horror and tension elements.
Nevertheless, it is louder and pieces in the final, as the brutal "Predtor Fight / Royce Runs" increase both the listening experience, and the dramaturgy.
To pick out individual tracks makes little sense, you have to enjoy the album at a time and not last longer. For me Debneys "Predators" even the best score of the three because it just a perfect mix of action and horror is a frightening and distinctive atmosphere. In addition, I became a fan of the main theme, which sounds easy and most threatening!
Fans of the first two scores are Debneys remake of Silvestri like it and appreciate determined. If you can ignore the fact that there are no new issues and can enjoy the crisp and dramatic composition, then I can recommend "Predators" definitely.