Pulp deep-sea fisheries of Alan Silvestri

The fact that Alan Silvestri deigned to write a film score for large orchestra in 1989, once again, the film music lover has probably already - at least in this case - consider performance enough. In addition, this soundtrack, the quite talented but overly lazy composer, not much new.
The musical panorama of this abundantly oversized and absurd acting underwater drama, which Silvestri has designed, extends from silent Chorvokalisen, the usual orchestra attacks a la Bartok, lyrical string passages to unfortunately very annoying synth deposits.
The whole mixture is by no means unpleasant to listen, but there is a right sound aesthetic front. Unfortunately Silvestri, like many of his Hollywood colleagues has fallen also, blind Plagiatwut. Thus we find from Horner's opening bars of "Brainstorm" (actually yes even a quote from Britten's "Spring Symphony"), to the relevant works of Goldsmith and Williams really all genre Usual again. The passages that are then "typical" for the composer, also remember not too much to his hitherto most successful soundtrack "Who Framed Roger Rabbit". Nevertheless, it remains to be hoped that now and in the future remains Silvestri with the Orchestra and leaves to make matters worse, perhaps even something of their own come up ...