(PS Time has passed. Gaspard de la Nuit. Yesterday, Sunday, comparative critical listening of different versions on France-Musique. A blind. Immediately, I eliminated a version of them extol. C it is precisely this one! Like what, apart from all "masters listen," and most sincerely the world without preconceived idea, I have not changed my mind. Then I even put my CD, yet ready to contradict me. But no, sorry. Ondine having nothing aquatic nor undulating, with unnecessary rudeness and what would have been absolutely Ravel horror, suddenly it rubato, the slow swaying (eg to 4 . '30 this range 5) The Gallows as previously, I will say that (as we have heard a lot ...) Scarbo, too strong earliest agreements assénés just for effect. for example to 4 'this range 6, clumsy scansion and fluctuating tempi tend heartache, delays, chaotic design and ultimately quite narcissistic, and accelerandi languors trend seasick again Ravel hated being in "add", especially such perfect masterpiece sufficient in itself !!! In contrast, in the same issue, interest apparently (I immediately ordered this CD!) Version of Roman Descharmes which affected our small marquis nickname critics said ridiculously Wholesale: absolutely Ravelian into the every nuance is perfect ... so even the beard! Figure it. NB Reviews Ravelian ultimately so little, so little interested fundamentally in this music: not a word about his great character, the end which would require fairly commonplace especially in their last one interprets "add" (and preferably this fanaticism of the "new "), it makes me think of this ancient drawing Sempé where he presented his drawings to a forbidding editor who said, and now we go together to add some irresistible gags. France and the host-Mu zero as to suggest a Ondine toquant to the glass, confounding radically with the imp Scarbo, and probably did not even read the texts of Aloysius Bertrand corresponding ...)