"Dead or alive", thus coming with simple artwork and cover, so completely dedicated to the music, contains 11 songs, a skit and guest posts by Senna (Yes, Monrose!), (Of course) Azad and Moe Mitchell, a kind of male Valezka. The latter may be present on the same three tracks and splits the audience as Moses the sea. During the expired one his soulful singing, he goes the other with his praises of Savas just belong on your nerves. Personally, I'm somewhere in between. Although I think he's undoubtedly talented, but one or two of mine from investments it would have done. Disturb large but it does actually.
Fact: In "Dead or Alive" there is no bad track and Savas presents itself in excellent form. As good as he was no longer here to listen for a while. Tracks like the great intro, "The evidence," the title song or mainly "Mona Lisa" prove once again that Savas still plays along the very top. While there are people who are seen commercially much higher, but this man does not carry the controversial title "King of Rap" for no reason. Flow Technically, there is still almost no one in this country who can give him as a candle. On album length he captivates effortlessly despite little content and knows through his skillful technique always inspire. Most he is when he all battlet in land and formally raps in Rage. So he really does not need any great features to captivate the listener. And precisely "on top", the obligatory Azad feature, then one of the weaker songs on the album. Certainly, rallying belong just in Azad of the standard repertoire, but at this point I would have rather again a battle monsters รก la "therapy" or "Give up" desired. Bad the track is not true unspectacular's more. Savas is as I said just then best when he turned up on full and rampant Platt makes everything and everyone. That was to MOR times already so and will probably always remain so. "Melody", "Only a game" or "sick" are precisely why not one of the highlights of the album, because Savas presented here in more restrained form. Nevertheless, even the not poor, but very neat, well audible tracks.
All in all, remains to say that Savas has returned with an album that the majority of its followers probably satisfied completely. It's super produced, does not contain a weak, but some very strong songs and a balanced mix of Battle and thoughtful songs. That is what, what the Berlin celebrated for years so. So why not 5 stars? The above-mentioned, something unspectacular tracks and presents to Moe Mitchell prevent the highest rating. For people who Savas' previous solos or "One" have fallen, but thoroughly recommended.