With the last three albums from "Songs From The West Coast" Elton John had already turned back to his roots in blues and soul. "The Union" can do even more. The collaboration with his old idol and mentor Leon Russell is like a makeover for Elton John. Such a playful mood, such enthusiasm one has for a long time not seen; almost one sees again the energetic young man in front of him, the world of music in the Seventies rolled up from behind. In the Mix-down to the maturity is an irresistible mixture. Even Elton John has found a vocal technique that better suits his decline in the baritone voice.
Should not be forgotten here but the musicians, as the star of this album also sees Elton: Leon Russell. In the US, a legend, known in only insiders wrongly. His very own, nasal voice is getting used to. However, he knows to use them perfectly, and particularly in conjunction with Elton's baritone really generates the creeps. As well as playing the piano of the two. Everyone has their own virtuoso style, both are together simply unbeatable. The chemistry can be heard, not least because most piano passages were recorded live in the studio together. Gospel choirs and brass sections round off the whole thing.
The compositions are all top notch, as was to be expected in these thoroughbred musicians in quality. Mostly with lyrics by Bernie Taupin, sometimes with music by Elton, times of Leon. Time the two work together, sometimes mixed T-Bone Burnett, the producer with, he also Koriphäe in Blueser circles. So it is never boring, and still are the songs on "The Union" simply voices together. Illustrious guest musicians like Neil Young, Brian Wilson or Grace Jones are the icing.
For lovers of "Candle in the Wind" and "Circle Of Life", this album is probably nothing. But who knows what Elton John has really plan or want to find out who should access. And desire to explore the work of Leon Russell, makes "The Union" clearly. For me, the album of the year!