... Comes a voice hard familiar, and a similar fate with the type of preparation of the musical tradition, if one belongs to those who have dug through the history of the white blues: Tony TS McPhee, also known as The Groundhog, in both cases is the reference - but that is a coincidence, Coen will not know him all Wahrscheinlchkeit after. And yet - you McPhee's Natchez Burning Listen to Groundhogs' Blues Orbituary recording on .... amazing.
And then the guitar: first is unclear to me whether he plays himself as a second guitarist is called - Jimbo Mathus, the current master of ceremonies of the Delta Blues, or rather the mystical High-priest who with his splintery shredder sound Gibson semi-hollow, as well as a producer for over twenty years, can be incorporated into all possible and impossible his sound ideas - the Magnolia country just as well. But here he accepts largely only the part of bassist. The so Mathus moderate sounding Gibson is really from Coen.
Well, that's what Coen plays here, very authentic, with an almost unbelievable coincidence - no, more, coincidence here is the correct term - from archaic and the modern. Quite naturally - as always with a Mathus production.