SEEKING THE INFINITE: an amazing rediscovery!

"RESEARCH infinity" is the title of a book on the musical life of Stanislaw Skrowaczewski Dr. Frederick E. Haaris on over 90 years of history of music. (English only)

This is good "that feeling" that wonderful SimPose every moment of listening to this 90th anniversary of the cabinet of a rare charismatic leaders at the highest level, shunned by lestablishment and tics cries from all sides whose hearing and spiritual perception is not very developed and even less seasoned!

This box contains its services symphonic integrals of 4 large B romanticism with Schumann.
Beethoven, the 11 Bruckner, Brahms and Berlioz, regenerated!
Anyway, there are no duplicates because you will discover that you have never heard elsewhere, as surprising as it sounds, the music lives intensely in all its teeming quivering in a spring renewal! Like what, the revelation of the unexpected always comes from the unknown!
It is the same in the field of all that is REAL and REVIVING, whether in art, science and spirituality, except that in this area our time sest erred in false light loccultisme Luciferian instead of returning the Divine Origin!

What fools until today, have spread the rumor that was a bad CHOPIN F. orchestrator ???
Start from the CD and you will have 27 REVELATION ABSOLUTE otherwise.
Indeed, what one usually hears it's a thick paste sound very indistinct accents of louts and devitalized by den leaders unable to understand the subtle texture and den to live the expression and nuggets that glow and sparkle here lon hears for the first time dune dun ear amazed and dazzled eyes!
You will listen here for the first time, the dune shimmering iridescence stamps, subtleties and dialogues, daccents dune incredible brilliance!
A pianist and almost unknown outside the norm, musicienne- dune and dune ductility virtuoso finesse touching unbelievable, a delicate subtlety knowing whisper confidences in the maelstrom chopinien unique harmony with the orchestra which lagogique and shades are wonderful, led by the charismatic chef Polish .

The qualities identified and disclosed by the Polish Chopin leader in the orchestra are found on well with all the other composers here declined. See the excellent and unique commentary on this set of our joyful "Albigensian"!
That all previously published separate CDs and gathered here from home OEHMS, naient no comments, says a lot of persistence ignorance and rumor of media criticism, warm and becoming derogatory disincentive to any browser.

A rare leader whose spiritual concerns of the philosopher result in a musical gesture devoid of sentimentality and DEFFET free, always in tune with the depth of the nature of music and its return, free from any egotism lemphase fashionable .. . And in the morgue! (A slip triple meaning that reading aloud!)
Rush, you'll be amazed! But beware the trap of recurring memory that has formatted your word "Naimer" that the known stored in your brain and the media-recognized "musically correct" sniffed by hypocrites truffle blocked!

(SUPPLEMENT November 30, 2014)
BRUCKNER Anton (1824-1896)

NARCOTICS Bruckner Skrowaczewski which invites us into the refined beauty dune sidereal clarity in the unfathomable depths of silence emanates from where every inflection of a very wide spectrum of sound intensity ranging from ppp to fff, requires adequate amplitude of the potentiometer to adjust the pianissimo for all collect without having to "soft ear."
This being done, the attitude of the tuned music BRUCKNER is very special, this is not a reduced level entertainment music!
The subtlety as much as the size of the speech will require availability status free from any other occupation or preoccupation. You have to close your eyes and let yourself be carried by sound waves. We can not attend to something else, otherwise you lose the vibrations of its very substance.
Depending on the degree of his spiritual sensitivity that music offers resonating memories reminiscences forgotten in the depths of his unconscious lost in space-time quantum universe by extreme contrasts, unexpected steep ruptures, sudden silences, where time jumps bucolic seamlessly alongside a vision of colliding worlds and the continuous rotation of galaxies

The ADAGIO the monumental String Quintet, arranged for the orchestra by those Skrowaczewski borders on sublime that by this work on the patch and forget that it comes the expression strings of the orchestra, so leffervescence of lalchimie of sound material undergoes transmutation by dincessantes metamorphoses up lenivrante incandescence.

Lintégrale 11 symphonies of the "Master of Saint Florian" naturally constitute dune reference reading archetypes that places "The Bard of God" in a fusion sound of this' INFINITE SEARCH "which is the spiritual quest (as CELIBIDACHE) of the Polish leader extraordinary by its supreme musical gesture in a clear metaphysical dimension of pathos disabling: exciting!

The very large head that was inspired Stanislaw Skrowaczewski (1923) throughout his career dorchestre trainer, led the sharp look out dune restoration standards, as in his time made him Eliahu IMBAL * (1936) with the RSOF (Radio-Sinfonie -Orchester Frankfurt) Bruckner: Complete Symphonies (11 CD Box) revealed to us for the first time, from 1986 to 1992 the first 7 versions of 11 symphonies renowned lorganiste of Saint Florian and greatly worth a visit to see the originals of this unique work of its kind, and whose incomparable specificity in the history of music was so well understood and analyzed with its devastating humor by its iconic thurifer in this beautiful tribute that delivered him Sergiu CELIBIDACHE:

"I'm not the only one who considers this one of the greatest symphonic of all time. But until today, to take things for what they are, I must tell you that ignores BRUCKNER, who used the orchestra and symphony orchestra secrets, who was able to create contrasts come from the inner constitution of the orchestra, like no other. Otherwise, the structural point of view, from where it come from? There is no descent we could prove.
There are people who have lived with him, through him, the fact that time is different for him than for other composers. For a normal man, time is what comes after the beginning, this is the time to Bruckner what comes after. All his final apotheosis, the hope of another world, hoping to be saved, to be again called into the light, it does not exist anywhere!

Both the Schalk brothers Löwe, who were his pupils, thought to help by simplifying his symphonies. But how, in what way can we simplify? What is beauty, if it is simplified? Simplified and water, what is it? What is the water that can quench your thirst?
So a phenomenon in every sense. How he held with modesty and warmth that is the mark of each measure? And this lack of incentive on the part of the society in which he lived, it was characteristic of his whole life! And this constructive naivety! And this continued virginity! Well ... These are notions that have nothing to do with what we have experienced in our lives. It was and remains an unknown.

There seems to be a big brother who discovered the world a little ahead of me. But somehow I never felt a contradiction and when I found the spirituality of his music, I have never been surprised; I thought it had to be like that, as he wrote. That didn 'never inspired to take a critical attitude towards him, I have no criticism to make, especially after last night which lasted sixty years where we walked with the feet on its partitions, changing everything, wanting to Europeanize, change all in a universal style, a style that was around the time ... "(Sergiu CELIBIDACHE)

"To understand the music ... BRUCKNER must enter their cultic character and faith in a living God who dwells and is timeless expression of the universal soul of a convinced Christian" (Karl Ganzer)
Indeed, this timeless music is ageless. It brews cosmic worlds and galactic spaces with steps titans, powerful meditations, impetuous scherzo and grandiose peroration in the paradox of suspended time, making it difficult for non contemplative minds to grasp the thought of Bruckner , nicknamed "the Bard of God", we said January 17, 2011: Anton Bruckner: Celibidache (12 CD Box Set)

It is curious to note that these integrals 3 unconventional - except for TFSA, having failed the first 4 - all took place in Germany on the same axis to the south, a SARREBRUCK to the west, one in FRANKFURT and the other to the East, to MUNICH, home for over twenty years CELIBIDACHE or any of the world-known orchestras !!!
It therefore appears that the return of the oeuvre by BRUKCNER infinitely more dependent on talent as the belief in right and spirituality than the orchestra, notwithstanding the versions dEugen JOCHUM Berlin, Bavarian Radio and Dresden Anton Bruckner: Symphonies of Integral / Eugen Jochum like Günter WAND Cologne, Hamburg and Berlin! Or Bernard Haitink in Amsterdam forgetting other very brave with this unexpected outsider: Bruckner: Symphonies the

Also, note the performance of a four Russian leaders still alive in the second half of the twentieth century and still in office today, Gennady Rozhdestvensky (1931) in the early 1980s recording the 11 symphonies with all modified versions of some of it !
Do you know how? "By 14" wafers nourishing when it is done with sound in "and never reissued to date!

This very special master of the orchestra like no other we revealed in his CELIBIDACHE BRUCKNER - which sest inspired Gustav Mahler (1860-1911) who was 20 years old when her eldest had 56 - raising "to the glory of God" these sublime meditations in symphonic sound architectures cathedrals, against the whole mentality of his time, in XIX century merchant bourgeoisie 89 and materialistic as hell, inherited Luciferian false lights of the previous century and which somewhat drown in illusions Waterloo lost and still rages until today among dinosaurs blind rationalism (one is that the ancestors lon deserves!) these obsolete modernist!

Moreover, no one knows today "WIZARDS OF THE MORNING" key book published in 1960 by Louis Pauwels and Jacques BERGIER in their reflections from fascinating and teeming studies history of science, thought and its Prospective the future of humanity that will not happen without a thorough review of previous scientific findings ignored and forgotten dramatically thrown by gregarious mentality and were, alas not heard! "There is no intelligence where there is no change, no need for change. "(Herbert George Wells (1866-1946)

The authors constataient in their time - and this is always the case - that there is no scientific research will over the treasures accumulated in libraries over the centuries and which contain extraordinary inventions and discoveries that would have settled the intractable problems of our time and in all areas! But it would ask for a radical change in mentality:
"Few are able BE calmly dexprimer a different view of the prejudices of their environment. Most beings are themselves unable to arrive to formulate such opinions. [] Is more difficult to disintegrate a prejudice quun atom." (Albert Einstein)

From where the planetary disasters saccentueront inexorably because of "Modern retarded (that) stand in opposition to the contemporary Future" (page 65) not knowing yet that they are late two centuries, causing lAPOCALYPSE who had already bristling and pointed ears bloody for over 225 years! But this is another story that we will discuss, perhaps in a comment on a book. Thus humanity missed its natural evolution for sadonner totalitarian utopias deadly: "The triumph of ideology devoted the defeat of Civilization"

CONCLUSION

Let us return to BRUCKNER of Skrowaczewski: A true understanding of the speech, punctuated daccents and extreme and subtle nuances in mastering this agogics which is the soul of music, and dexpressions darticulations dune musical rhetoric in perfect harmony with the content of the works, or the suggestion of feeling linfinitude sidereal space!
As in BEETHOVEN - died 3 years after the birth of BRUCKNER in 1824 - we are surprised dy discover the unexpected and unheard accents, Skrowaczewski reviving the discourse which reveals other punctuation jusqualors unknown direction dune rhetoric, as in CELIBIDACHE.

FULLNESS OF GRACE AND ALL elegance MOMENTS: A rediscovery RARE!
Clarity, transparency of the sound in a infinite range of nuances of this great trainer who dorchestre as Markevitch transforms what nimporte phalanx becoming the best in the world but here with an extra dimension.
LEAP! If the word "transcendence" in music a sense, this is good here!

Some criticized his "coldness" to ANSERMET who retorted that "it was easy for a leader to put the feeling into a musical phrase as a musical phrase we can do pretty much anything you want; it's easier in any case than discovering the right feeling, the one with the phrase in context. "

The School of Management dOrchestre sest always shown at the highest level with leaders (and composers!) Irreplaceable among twenty that were Artur Rodziski Paul Kletzki, Marek Janowski, Antoni Wit, etc. AND Witold Rowicki, including 4 Brahms lead you into unknown regions jusqualors: Brahms: Symphonies 1 & 3
Symphony No. 2 in D major Op.73 - Symphony No. 4 in E minor op.98
See the excellent commentary melomaniac, "the first commentator Hall of Honour"

EPILOGUE (5 December 2014)

Stanislaw Skrowaczewski restores us BRUCKNER LARP which propels up to the merger of the stars in this ardent faith of the composer lÉternité.

Music Danton BRUCKNER bears the scars of the horrors of this "Night of the soul," which appears in Saint John of the Cross (1542- 1591) in the famous mystical experience of "The Dark Night".
For Anton BRUCKNER is a composer-mystic and famous organist, constantly tormented by salvation of his soul whose music runs the dramatic theme of a fight inside in meditation, their questions and sudden silences that disrupt the development of his thought, his supplications and exaltations that in grandiose and vibrant perorations seal the victory of faith over doubt and fear.
This is why this music, coming from nowhere in history as rightly stresses in his admirable tribute CELIBIDACHE mentioned above - was inaccessible for more than a century, as there are different levels of music as it is different levels dhommes and it is the same for all listeners.
It is curious to note how the Master of Saint Florian was upset by the theme of the most famous symphony of history, these "Four strokes of fate knocking at the door" since lon finds the number of this rhythmic theme in the symphonies "Bard of God" and in particular its 3rd Symphony in C minor, in the same dramatic tone as "the Master of Bonn!"

At the age of 12, my godfather, Canon at St Etienne mavait for my birthday a Philips 33t including orchestral music of Wagner on his three chivalrous cycles by Bruno Walther and the New York Philharmonic and whose cover was adorned with a opaline ciborium encrusted with rubies. The dedication read as follows:
"When you will know the best you'll figure it out, what that they are, they are just trying dexprimer infinity THAT FILLS THE TURMOIL OR. "What better place could quote the music of the" Bard of God "!

All music tells a story with sounds. It would be possible to make a den radiographic danalyse so because "this is the style the movement of the soul" (Jules Michelet). It would suffice to decipher the musical grammar and syntax in its rhythms and its symbolism of Numbers, intonations and tones with its harmonies and modulations to update the state of psychic and mental composer and his condition into words and thoughts.

Ultimately, the fate of all Art Superior, are they not bring us to spiritual lineffable doors by the experience of a genius whose faith in "life naurait meaningless if it wasnt eternal." (François BRUNE)
All Superior Art work down here to avert the doom or triumph evil in the heart of man since the dawn of time, hoping that "Beauty will save the world" (Dostoevsky) and in which all is contained, as this mysterious, essential immaterial concept of canons of Beauty - indefinable other than mathematically by the Sacred Numbers - and that includes the good and truth in this Platonic triad foreshadowing the Trinitarian metaphysics, is none other than Letre in itself, this superior human presence that dwelt number Detrés who made it, and which make the experience in their daily lives.

Over thousands of years in this vale of tears, the saints and geniuses came to bring Lesperance planetary doom to ward off and overcome this deadly deficiency in the human soul, the spiritual light that transfigures matter, love, this fundamental law of Life of the Universe, the secret of the energy of matter and limmortalité dear to the alchemists, to the builders of cathedrals and without which "nothing is created or becomes"

RECALL AND COMPARISON OF TIMES 25 versions of the 4th symphony:

H.KNAPPERSTBUCH / Berliner: 1944 = 6028.
W.FURTWANGLER / Wiener: 22.10.1951 = 6604 / Wiener: 29.10.1951 = 6720.
ANDREA W. / Wiener symph. : 1953 = 6029.
K. SCHURICHT / Stuttgart: 1955 = 6903.
E. JOCHUM / Berlin: 1956 = 6501 / Dresden: 1967 = 6446 / Amsterdam: 1975 = 6458.
KLEMPERER O. / Philharmonia: 1965 = 6044 / Bavarian: 1966 = 6058.
B.HAITINK / Amsterdam: 1965 = 6359.
S. CELIBIDACHE / Stuttgart: 1969 = 6902 / Munich: 1988 = 7911.
K. BÖHM / Wiener / 1973 = 6810.
H. KARAJAN / Berliner: 1970 = 7014 / Berliner: 1976 = 6411.
R. KEMPE / Munich: 1972 = 6356.
G. WAND / Cologne: 1976 = 6421 / Berliner: 1998 = 6840.
K. TENNSTDEDT / Berliner: 1981 = 7028.
E. INBAL / Frankfurt: 1983 = 6817.
G. Tintner / Royal Scottish: 1998 = 7209.
L. MAAZEL / Bavarian: 1999 = 7334.
S. Stanislaw Skrowaczewski / Saarbrücken: 1998 = 7032
R. PATERNOSTRO / Reutlingen 1999 = 6712.

Lack: EV Beinum / SOLTI G. / D. Barenboim / K.MAZUR / CV DOHNANYI / H. Bloomstedt and came last.

* PS Eliahu IMBAL, devoid of egotism recorded with his band including Frankfurt, integral highly esteemed: Berlioz, Mahler, Ravel, Shostakovich and BRUCKNER with primitive versions of the revised symphonies. All such records Denon, Japanese are not bad, but excellent! and whose subtle nuances and dynamics (Dynamite!) recommends listening at some level.

Reminder denregistrements unrivaled leader in the Polish RAVEL particular, and in the MERCURY label:
Maurice Ravel - Complete works for orchestra Vol.1
Ravel: Complete Works For Orchestra, Vol. 2