'Shut Up', after 50 seconds on the first method "ambient", introduced a bass and a guitar clearly "post-punk" 1980 But the battery is revealed through the flexible disc that we keep in memory of that time. The sound is also wider, at least until one day I listen to the remastered versions fees old vinyl records that I own such as "post-punk" ... The voice evokes primarily Siouxsee Sioux but also Sometimes Mona Soyoc.
The sound is less urgent, less also amateur (in the sense of, um, "played better" ...) that 'The Scream' but is nevertheless taking.
'I Am Here' brings a bit of Comsat Angels in rhythm after a noisy guitar intro. The music of 'City's Full' is more "rock", also with a song like that of Patti Smith making his words surfing on the groove of the "Group" in the 1970 'Strife' evokes the soaring groove of 'The Unforgettable Fire ', while' Waiting For A Sign 'requests for more' Seventeen Seconds 'a pornographic Cure'. 'Dead Nature' is an instrumental ambient / experimental. 'She Will' opens on a guitar riff, a prancing and low battery (the kind that makes "the of the of the" ...) to the beginnings of U2. 'No Face' is another U2 "mash-up" 'Boy' and Banshees starts, but more lively than the previous track. 'Husbands' pique the guitar of the Dead Kennedys 'Fresh Fruit For Rotten Vegetables' rock'n'roll for a less "Suicide" that the 'Hit Me' in front. 'Dear Marshall' is a ballad a bit "doom" (see the rhythm) that the piano is trying to brighten while a solo of "free sax" comes conclude everything.
My digipack edition contains a leaflet with the words printed white on black.
I like!
