There were only 3 really good plates of Silly: Mont Klamott, Liebeswalzer and battalion D'Amour. Your quality resulted from the spiritual love triangle betw. Tamara Danz, Werner Karma (lyricist) and Rüdiger Barton (main composer of Silly while Danz's life partner) and the political, social and economic situation of the last 10 years of the GDR and Silly's confrontation with it. Time can be the appearance of the albums very well bring in parallelism with the above facts: Mont Klamott appeared in a row with entry's Bartons at Silly and using karma texts - and the plate was an event! And the albums were after the break with Karma and the promiscuity T. Danz's Barton to Hassbecker (and its accession to Silly) boring, anemic ... well, Silly suddenly could convey not so much (or was it nothing more to say?). Perhaps because the spiritual love triangle had been a strained and thus probably also very productive. After blowing up your Silly finally felt in probably - but also the German Democratic Republic was blown up and as a result also Silly's identity; as with almost all former GDR citizens. Too bad, because the above-mentioned albums are real masterpieces today. You are not just a series of songs, therefore the BestOf of Silly are also completely wrong. Silly itself sees all probably different. Artists see themselves simply often very different from their fans they see - and that's a good thing. I just remember how amazed I was T. Danz's height, when I saw her for the first time on stage (1986 I think). "So ne small woman" and so ne voice - I thought in retrospect. Walli (also a former GDR human)
