- Sarah Kaiser and the accompanying musicians are at their craft, and the musical on a consistently high level.
- The arrangements were written at a very high and professional level, in addition to all dignified craftsmanship with that deficiency of talent that turns a solid workmanlike work a real masterpiece. They reflect not only an intense Auseinandersetung with the respective contents resist, but also the (very successful) new translation with today usual musical stylistic devices.
- The individual voices, musical bows and motives were carefully balanced with attention to detail - here a praise for the sound engineers.
Sarah Kaiser's voice is just as exciting as Stephanie Heinen for me (formerly Stephanie Klein), the arrangements compete with 'Handel's Messiah - a soulful celebration' by Quincy Jones.
At Paul Gerhardt texts, I think you have to say anything ...