In 2011 appeared Sequel "Revalations" Kyd Lorne Balfe bekahm using, a student of Hans Zimmer who supported him in many projects for the first time. With Balfe was once again a track larger and could now be measured entirely with film compositions. In Assassins Creed 3 then took Balfe alone command and brought the musical series in the time of George Washington.
For this game an Expansion Pack has been released that the story about Connor and Co goes on to explain (or the alternate reality)
Again, Lorne Balfe records again in charge of the music and, unlike even in AC 3 he can convince hardly.
The score missed in my eyes every sensibility, rather than to transport slowly emotions and impressions, you will be slain with everything. The score sounds very modern without the spirit of the time to give back as there was the predecessor as well. Assassin's Creed has always defined via his feeling and is unfortunately here to degenerate into a collection of synth and electronic sounds that reach in the footsteps of Inception or Batman without ever walk this class.
Very simple melodies and Klangkonstrucke run here from one track and it's all just sound without being elaborated creative or visionary in any way. Even the predecessor's already gone more the "default action Score" away, but was much much better and has done a good middle ground. The few quiet moments in the music sound too pretentious and again rather "better too much than you take too little" made
40 tracks are just too much, especially if more than 25 tracks sound very similar to them.
The main theme of part 3 is again one of the party, making a rare highlight.
Thank this score will like because it is full of action, firing on all cylinders and safely maintains in a certain way. But for me it is without a soul and just simpele action fare
