super soundtrack for an equally splendid movie

Again, by the director of untouchables, a serious subject treated with tact, humor and sensitivity, with all humanity befits a daily fact that we do not look, voluntarily or not, the world of illegal workers.

Omar Sy restores all the humility that we consider some form of veiled condescension, as naivety, while it is the desire and the demand for recognition of simple and true values ​​of be more than seen, look in the dark cradle of our common nature, where the sparkle living part of our condition ... The story is not a manifesto but a story of a gentle kind of humanity to struggling with survival, industrious cynicism of a society which sends peacekeepers social with the weapons of impotence, covered the underground world of the maneuvers which it can not do without ...

Charlotte Gainsbourg play knows the art of presence in any shade to consider (in the sense of restoring a face) each other, give the mirror looks that intersect the soul of the meeting of otherness; for it is in that can exist between two reality of life ...

Tahar Rahim, excellent young actor is a little Momo life ahead of Romain Gary, with his desperate optimism pegged to the body, its natural casually touching his lies, but above all, an unwavering will to live and survive. ..

It should include all the characters, run by enthusiasts, for some rough and dazzled by the mirror to French larks ... but who in the crudeness and cruelty of their existence, give rise to laughter as blows, tears like hopes, nothing of course, but always with a certain dignity that not even would suspect ...

In short, it comes out more aware of our small and trivial vanities, and it puts everything in a proper perspective; far from garbage at all the ego or emotional sentimentalo obscenities and facade commitments of our beloved social networks ...

In short an excellent movie, for me the best of the year ....