Soloists, choir, instrumentalists and head are perfect.
Small flat, the sound ... This is the same engineer that for the fourth which was a remarkable miking, airy, with beautiful stamps, a well managed dynamic and impressive. Here unfortunately crescendo passages which should be horrifying, seem methodically tablets ... Why in the same place of registration, as many differences, both for ventilation, dynamics and the presence of serious between two symphonies, the four and thirteen, with the same sound engineer ...? But who planed some taken to refer to CD ...?
