Superb tribute

So, I would still be very surprised if the / the Stereoplay reviewer / -in (see above) would repeat the curd, which he / she has written on the occasion of the release of the album twelve years ago, today. (Sometimes you are behind luckily smarter.) Where you please stop "Blame It On My Youth" a "self-irony" (huh?), Which appears to be missing "Tempatation"? HC was ever self-deprecating? Whoever hears except this gentleman / lady this one too "uniform instrumental accompaniment" that makes the title supposedly hardly distinguishable from each other? Why, pray tell, this is only music for "Kuschel Nights" and "fireside chats"? And finally, "missing" Holly Cole also the "courage"! Ah yes. The courage perhaps, so bumpy and bedraggled as Tom Waits to sound? I do not think that she has written to them.

Miss Cole sings their own thing. Anyone who has ever visited concerts of her, which is noticeable that in these songs you often bleeding heart depends and they perfectly realized with this their style. As the Master gehuldigte she knows how to stir the audience to tears at times. The mini accompaniment of bass, piano and percussion creates something the matching very intimate and personal setting in which Holly Cole can live a wide range of feelings. And she has with Waits in common: feelings so intense exudes from every skin pore and lived with every fiber of the heart.

The sensational recording technique gives this a little belonged presence. The trio plays space filling, David Piltchs sinewy bass is punchy as hell and yet contoured, and the voice - that voice! - Singing just for you alone. Wen da overtakes no goosebumps, which should quickly measure his pulse.