Fergie uses on "The Dutchess" also querbeet to everything currently accounts for the music industry in the US. Quote the party song "Fergalicious" and "Here I Come" is still very clearly the Black Eyed Peas (Will.I.Am happens when two songs featured), remember "Clumsy" and "All That I Got (The Make Up Song)" more like typical mid-tempo R & B jams, which could be both from the Pussycat Dolls and Missy Elliott. Reggae esker present themselves "Mary Jane Shoes" that even surprisingly drifts in completely credible Ska, and "Voodoo Doll" that would make musically as on a Seeed album nicely. The Fergie also Christina Aguilera (very powerful voice in "Finally"), Kelly Clarkson ("Losing My Ground") and even the All Saints when needed ("Velvet") can do, is downright impressive, just like the surprisingly successful Rappassagen in many songs. Nevertheless, you always have the feeling to have something like like ever heard anywhere.
Nevertheless, the album is worth listening to. The most fascinating of their wild Genregehopse however, is that it works. Perhaps because they had the lead in every single song, with the predominant producer Will.I.Am certainly good can, or just has talent. Although I pesönlich say some songs not because very "effeminate", and I would have liked even more party songs á la "London Bridge" desired, but who styled, vocally convincing pop like is allowed to access at any time. Black Eyed Peas fans expect a bit more than usual from the albums, but are happy to black music Kracher "Hands Up" listen to the entire tape.
