T & T - the Super formula

The new board of Justin has done to me.
A phenomenal album, because what Timbaland and Timberlake is here to deliver my opinion really first-class quality.
About the beats by Timbaland like yes you argue, but I
must confess that I've always been a big fan and almost know every, his albums produced by him.
His beats are futuristic, soulful, warped, creaky, shimmering, stomping, funky and sexy.

About Justin has said that his early work,
his boy band past, his liaison
associate with Britney Spears and so on a completely different category.
He is thus landed in a big mainstream fug.
With his latest album "Justified" but he has artistically made good ground, his fame but this has done no harm.
Fortunately. But it would probably be an exaggeration to say,
from Saul to Paul walking, he is now trying to return to the music a little.

Justins huge mainstream potential, and the associated long range, we owe it probably that
unlike some vorherigeren, Timbaland schlampigeren tracks produced, these too are now the Edelschliff.
This fine work is reflected not only in the sound design as such, but also strong
in the conceptual design of the album and the image resist.
The structure of the album and in part also of the songs stand out gratifying from those common in this business schemes,
and so we hear, for example, none of the most annoying and meaningless Skits, but instead freshe "mini remixes" of the previous songs.
How do I find, have a total of the song structures somewhat refreshing, modified.

In addition to Love the Future is the title here program, and
T & T`s desire was it well to enter also with a foot Neuland, and one can only congratulate them for it actually.
Too often and for too long already everything revolves in R`n`B and Hip Hop circus only in circles.

The only downer is Justin's voice, as it unfortunately is a touch too small for my taste.
However, the man has so many creative ideas that then make up for this shortcoming also loose again.

So, all in all an album that rocks without end and loosely bridges the gap between mainstream and claim.
I dare say: already a classic.