For this "Emperor" publicly captured in February 1979 at the Vienna Musikverein, the Italian artist distilled once more his legendary mastery of the keyboard: bright, colorful impalpablement as a painter puts the last glaze on his table. Faced with such a chart, almost any other pianist seem frustrated.
Even the pugnacious assaults Allegros do not distract the smooth fluidity of these concepts that we feel intimately thoughtful, yet so obvious.
Force without dryness, soft without lyricism, the baton of CM Giulini combines a soft and tasty orchestra: delectable, the Wiener Symphoniker effluvent of intoxicating scents.
This is a dream interpretation which no ear will exhaust its beauties.