The choirs are eternal

Music by James Horner is first soft and impassible ("Never an Absolution"), delicate and moving to a mark rarely achieved in the history of love themes ("Rose" and its finely heightened sensitivity), then enthusiastic and candid ("Leaving Port", "Take Her to Sea Mr. Murdoch"). It flies and too far, too high, the image of a love imprisoned by social conventions that takes a flight ban and the image of a human society that wanted to play God and challenge the oceans in the largest mobile machine ever built on the planet.

James Horner pierces the time by the memory (Celtic music by universal and timeless tone, angelic voices and synthesized thereby appearing to come from beyond the grave), and it magnifies love to finally dive all these illusions in a musical cataclysm ("The Sinking", "Death of Titanic," a rage and a divine power), the better to then transcend time and death by showing that destructive forces can sink the unsinkable cause suffering and tear of life, and we are convincing by music (creative force) that death can never, ever slow love, that hearts are forever, even if one day cease to beat. Love goes beyond the barriers of death and time ("A promise Kept," "My Heart Will Go On"). Love is it, the real unsinkable ship of Man.

It will also now count with the music of James Horner exploring so infinite virtuoso faces human feelings: serene, happy, moving, slender, then suddenly tempestuous and heartbreaking, and finally beautiful, spiritual, universal, eternal .. .