"Culture Killed The Native" embodies precisely those longplayer, all their typical attributes and strengths brought to the Victory in spite of the change at the micro perfectly under one roof: although the Blues proportion continues to be present as the opener "More And More", "Never Satisfied "and about horny catchy" Do not Tell No Lies prove "bursting the songwriting front gripping hooks and choruses buxom, of which you just never can get enough. Self-mate Tom, of my enthusiasm to ignored here long, had to admit later that it was actually still are more than five points Hardrockbands with our northern neighbors. So are the two subsequent songs "Always The Same" and "Power Strikes The Earth" not only among the liveliest of this end of the eighties hammer mill, but also the sharpest up- tempo bangers that ever came out of my good old Germany to the ears, which is not insignificantly from their seductive charm implied US, or how difficult to explain that phenomenon whose, few formations were blessed on the old continent, will designate depends. Those coolness personified just "Culture Killed The Native" completely, so this rock breathes firecrackers from sheer passion, boundless freedom and pure-bred power without just begin to sound stuffy.
Other highlights were still the epic, dressed of juicy double bass drums "On The Loose" (!), The good mood Rocker "Standing On The Edge Of Time" and turn the powerful work bouncer "Into The Darkness"! Well, who scolds Hard Rock fan and this wonderful jewel of the legendary line-ups Newton Frank Garcia-Knorn-Randow does not know, has probably somehow missed something ...