The galaxy Zelenka

That said:

Ease musicians Pasticcio Barocco conducted by David Walter hyperactive oboïste able take advantage of the flaming writing Zelenka, while also illuminating the unclassifiable work of a multiplicity of end-end outstanding: the talkative dexterity of the three protagonists meets the activity of an accomplice and shimmering continuo, full of nuances ...
Radiant vitality with surprising harmonic modulations (opening allegro of No. 5); agility and even more delicate concerned (final allegro of the Sonata No. 5 virtuosissime including a portion for the bassoon), serious and almost nostalgic andante (No. 4), already blowing mozatien of the adagio that follows, a serene and eloquent nonchalance (equal in this to the Supreme almost tender sweetness of the Adagio of the No. 6), where as always, the game dialogued two oboes and bassoon accomplice chamber weaves a conversation an energetic and cheerful eloquence. Pasticcio Barocco sign here .. one of their best discographic engravings.

Even on modern instruments, the musicians show a conquering sense of articulation and intonation, revealing alternately in each sonata is incredibly versatile, mature sensibility, often remarkable for their sense of color and the tone (contrast chiseling leaping between serious radiating bass bassoon accomplice, with the chatter of oboe), their tenuous atmospheres, dynamic refinement that specifies how this style Zelenka is worthy of the best and Handel more Bach. In Vienna, Fux does not retain: considering after a year he had already taught him everything; Zelenka said he then traveled to Italy, learning from Lotti ... nothing certain! Yet listen to this prodigious melodic wealth as later Campra speaking about the Ramist Hippolyte, we could face the Sonatas declare that there is indeed a musical material 10. While the gesture is distinguished by instrumentalists this facility certainly virtuoso, but also because they know how to express the depth and subtly embodied with sovereign tact.

Figure mysterious than Zelenka more than 50 years, despite her loyal service to the Court of Dresden, Hasse sees surpassed by blowing him Chapel postmaster in 1731. "Z" had nevertheless demonstrated an inspiration a rare inspiration sacred material to feed the fervor of his protective Maria-Josepha princess, daughter of Augustus II, as he showed a purity of tone unheard in holding his Trio Sonatas, probably written between 1720 and 1722. The amateurs will read to better understand the scope of a rare and beautiful work, the biography "Jan Dismas Zelenka" appeared in Midnight Blue.

The command context Sonatas remains unknown, but it could be that the recipients of the scores of a genuine problem may have been the musicians of the orchestra of the dresdoise Court, then one of the most remarkable Europe Cash among others many seasoned performers whose oboe Le Riche and Richter, bassoonists Böhme or Cadet, Pisendel for the violin part and of course, likely option but undocumented Zelenka himself to violone ... and softens and humanizes even the profile of a singular musician, apart, alone, seems consumed by an inner fire kept secret ... tenacious guilt over its probable homosexuality? ... No matter if the details of his real life remain hypothetical, its music is proof of profound creativity, an invention whose flamboyant Pasticcio Barocco underlines the crackling jubilant.