Solo recordings for cello are very rare, and impossible to find something that is beyond by listed classical music (Kodály, Reger, Schumann).
Darling fills this gap in modern improvisation.
The typical ECM-style, which is always under suspicion of esoterically tinged should not interfere with it.
One knows the brand, and they may give (or not).
Michael Naura once wrote a few years ago in the TIME about Jan Garbarek saxophone: "The rain that falls in the soul."
Darling is even gloomier.
His music is a gliding through the deep sea, far down below, where no light shines.
Such types usually come from the extended Arctic Circle, and most amazingly of Darling, perhaps, that he is not Norwegian, but Americans (one egg with corners and edges).
On this occasion, a further CD-Tip:
Who can do with this music something that probably also like (the less stodgy) "Pendulum" by Eberhard Weber, the man with the singing bass - really great !.