The poetry next part - but only for home use

Than "Wir sind Helden" in 2003 released their first album, I had just started my studies. To "just have to want" and "Monument" is rocked on AStA parties and was fascinated that critical music can also be musical and really danceable. The heroes met the tone of the time, even my lifetime. The text "If you have already come to the mouth, then why not on my" has, from the second album helped me a memorable kiss. The third album met among others with the "Ode to work" politically tone of time, the mirror spoke of hipper critical intelligence. The heroes had long been the "voice of a generation" (taz).

The fourth album is a painful, but at the same time beautiful consequent development. With my generation, the band has grown up. Now Holofernes and Pola Roy have two children together. The new drive is quiet. One senses that the disc has not been written for the big festival stages, but there simply enjoyed playing music together a good team. Still no sign of lethargy or standstill. Instrumental the plate is the most diversified what the heroes so far produced. The quiet songs are unfamiliar little guitar-heavy. Playful experimentation, the band managed strings, piano and Quetschkomoden without appearing artificial. In the title song "Take me home" shows Holofernes that her voice even after many years can still surprise, and the fully positive. The texts are used to subtly critical, but no longer deal with the big picture, but refer to as "The dreams of other people" or the tragically comical "Ballad of Wolfgang and Brigitte" on interpersonal issues of their generation. They are now just more than Klee Kettcar. That she is still danceable can shows the band at 'what is ours both ". "Take me home" is no longer visible to Astra beer on AStA Parties, but rather for cozy autumn evenings among friends with a glass of wine. Nevertheless, the board does not act stuffy, but is skillfully authentic development. Even Klee has shown that there is a market for deep melancholy reasons music, away from abartigem Kuschelpop á la Silbermond and Ich & Ich. One must not be afraid to make the hero, but must rather look forward, that the next albums produce similar great music, even if just because they evolve or be accurate.