The quake after ambivalent review chaos

Tickets for the Death Cab concert have been appointed and for weeks I'll be the first time again to enjoy excessive internet use. and what I have to festellen there? - Precisely. Death Cab For Cutie have peppered my absence from the media world a new album on the market. "Peppered" may now not be the right word, but there was so abrupt and sudden for me. The concept of the album makes but a very well-thought impression.
Since you had to read "quite a nice summer album, which does not, however, able heranzureichen to the quality of its predecessor." (Freely quoted from a last.fm-comment) and panic began to make slow wide.
So go forth with the album, which I grade in this moment even now hear the zweienhalbsten times.
Advance has to be said that I'm a huge fan and all own albums and love, my musical horizon genreübergeifend but extends much further. who would have thought.
Album pure, pressed play and the endorphin emissions only just barely so survived.
Masterpiece. Entertaining anyway but with strong tendencies to draft. All songs I like, Ben Gibbard trains himself again in his voice a great variance in different pitches to achieve, which is classic sound, the songs unpredictable (except for "No sunligth" which could entrain me anyway).
Death Cab present themselves from the musical side somewhat progressive ("I will possess your heart" - "classic progressive" - ​​if that term makes any sense) but of the emotion has not changed. The individual songs are catchy, emotional (extremely emotional but maybe that is also due to me) and Death Cab have not simply repeated and rested on past successes.
Very good people. Now the values ​​Mr. Gibbard has only again to his solo project "The Postal Service" care and I am completely happy.
Thank you gentlemen and I'm looking forward to the next time.