"Gezügelte ecstasy", one could perhaps call, like BB King each time entgegenpirscht the end of a song.
Most of his game impressed this time perhaps in "Sweet Sixteen", "Is not Nobody's Bizness", and of course in "Paying the Cost to Be the Boss". Yes, and then he celebrates with "All Over Again" more than seven minutes a virtuosic variation on "Summertime" of a different kind, and "Peace to the World" includes the entire concert as the finale furioso from.
BB King can sing a hundred times its own classics, and when he recites the hundertundersten times, tearing one's eyes and ears, the: something new every time it occurs to him that he would have no heischen effects. It can occur alone, but he can also ask a shiny launched jazz band on stage, as on that memorable night in 1990 in the Harlem Apollo Theatre with the Philip Morris Super tape. The has namely deserves extra appreciation, and of course, BB King commends them away as "Guess Who" intro: No 08/15 band, but a band that prove their members during the evening in discreet, never exuberant solos, that they would not starve even as soloists.
The audience is fascinated, and the listeners at home in the living room's no less. Rarely BB King is likely to have even more rousing, delivered his own success even more of a piece.