Bap goes reggae, but unfortunately they can not even this. With the departure of Major, also the last piece of uniqueness of BAP has fled. Niedecken tries to complete his metamorphosis into Bob Dylan, the only result of nöligen singing is that it meets almost no sound properly, the band desperately trying to interpret the BAP classics, but fail due to your lack of skill, a Major at the guitar is simply irreplaceable. The new songs are reasonably well rübergebracht, but as these anyway are below average, it creates itself this band to play these errors. The whole CD comes across totally powerless and even with "evaporation long ago," it no longer creates residual BAP, even remotely, to get across the former power. (The guitar solo at the beginning reminds me fatal to the Klaus Lage Band with the song Monopoly, the older among you it will not know, but so deep BAP is going down, to passages of a singing social workers to "take over" The fact no longer exists BAP, it shows the fact that Niedecken also his solo song "Maat et joot" which is disfigured although actually very good, even from the "Band" plays. One should Niedecken prohibit mention in this form to be able to still call BAP, it should be honest and "play Niedecken & Co songs of BAP". That leaves only one conclusion that what experts previously have always known that the Major BAP was and Niedecken only allowed to add unto his dripping with social criticism lyrics and had to sing unclear, so that one does not understand him and only the earlier, excellent music remained , Anyone who loves the music of BAP and want to hear the musical power of the band live, the CD is the "Affrocke" applied to his heart, where the South City - Dylan was not yet in Selbstverwirlichkungswahn and even from the real BAP - was slowed band.