Victim of an elevator accident in which her daughter died, Sneidjer decided to devote himself body and soul to the universe of the elevator in defiance of his career and in total disregard of his entourage, and conceited careerist . The drama as a trigger for reflection on the absurd sense of life and as a developer of our compromises, the specialty of John Paul Dubois. In a more acidic and black tone than usual perhaps, he narrates a shipwreck, a tragedy that ends badly.