Composed in 1982 and 1983, outweigh these concertos by this mixture of roughness and extreme delicacy specific to this great Polish creator. In the first, it follows, in turn dazzled and anxious, daring and dizzying dives of grayed alto freedom strongly punctuated as always with Penderecki by a massive and diverse orchestra, until the last movement that leaves an imprint as silent. Cello Concerto, where Kubrick was able to draw a music "famous" Shining, even more impressive by his boldness and strength. The execution of the two works is impeccable.
