And here is the album-maousse, the Colossus, the sum. There are only Pink Floyd to dare such a disc, anyone else would sy broken teeth. Saventurant again on a theme dicey (laliénation lindividu of which led him to build a wall around it and lisole worldwide), Roger Waters sen doing better than well and marked a whole generation with its findings so distressing, but if lucid. The lyrics are the most beautiful of its time, tearing (MOTHER) sincere (NOBODY HOME), significant (all). The music is simpler, more direct (YOUNG LUST, HEY YOU), brushing disco (Battery ANOTHER BRICK IN THE WALL) while remaining adventurous, sometimes to the brink of insanity (lhallucinant THE TRIAL, co-written with producer Bob Ezrin, the other architect of this masterpiece). The guitar parts are obviously sublime (Comfortably Numb), David Gilmour knowing how to be more concise, laying in passing a riff danthologie (RUN LIKE HELL) and unforgettable solos (ANOTHER BRICK 2). Unfortunately, any extraordinary creation has its price and it will BE the last true work of Floyd, mental health Waters (severely Petera the seals during check-) pushing it to turn Rick Wright before the end of the work and SA sautoproclamer absolute leader of Pink Floyd thing. On the wall of his own paranoid, Roger Waters carved a masterpiece against the bricks which his group would break ... Tops: ANOTHER BRICK IN THE WALL 1-2, Comfortably Numb, HEY YOU, NOBODY HOME RUN LIKE HELL, MOTHER, THE TRIAL
