Whoever expects a script by Marco Göllner will be disappointed ...

The mystery series "Dorian Hunter" celebrates its first major anniversary. The production team has been working for "The Masks of Dr. Faustus" especially hard because the listener and fan is a three and a half-hour spectacle offered in three parts. The first makes "Dorian Hunter 25.1 Mummenschanz". At the beginning of long-awaited new adventure of Dorian Hunter sound in speakers unfamiliar pulsing sounds that "story so far" the accompaniment of Dorian serve narratives. While this is the ideal way to go into the full ones after a long break again, but somehow remembers the listener instantly that quite forced sounding intro does not match the style of Marco Göllner. But the rest of the adventure is sometimes strange and confusing. These include the numerous rapid flashbacks in time, the Dorian help to his former self, Georg Rudolf Speyer to remember. These have rarely forced and tough because it is repetitive information and thus the adventure can turn in a circle. In other cases, the audience killed the vast amounts of information. Constantly is this busy thinking where current affairs can be classified in the plotline.

In addition, the plotline in the presence inconsequential appear in a certain way: Coco Zamis and Dorian Hunter are living through an annoying love crisis and the realignment of the Inquisition department is also a means to an end. The story Georg Rudolf Speyer is much more interesting a few centuries back, not only because many details are revealed, but also because Dennis Ehrhardt, the new scribbler of Dorian Hunter, has apparently found in the past his task. In addition, I have the entire second season is a fundamental problem, whether it's up to the author or changes to the script: The Demon Drilling affects me anything but threatening or scary. Sometimes I can not judge the danger emanates from him and all I know is that all know him rather be dead than listeners. This assessment does not change even after "Dorian Hunter 25.1 Mummenschanz".

As I mentioned at the beginning, some of the dialogues sound quite forced, what is not, however, to the vocal qualities of individual speakers, but rather the fact that probably the stage directions were then formulated as possible. Especially the voice of Thomas Schmuckert is consistently pressed through the speakers. But even with Frank Gustavus and Frank Felicetti A lot has happened since which suddenly seems to be the sarcasm gone missing. Nevertheless, I was surprised Tim Knauer. He talks his role as Georg Rudolf Speyer very expressive, underlining the current atmosphere in the past. And although me the character of Bethany Bail seems extremely unsympathetic, it creates Karin Rasenack like a tough M from the James Bond universe to embody their role as new head of the Inquisition department. But the biggest praise goes to Andreas Meyer, the composer of the team. Although the music snippets are other than how the audience knows perhaps from previous episodes, so it is in "Dorian Hunter 25.1 Mummenschanz" but again and again the music and sound effects that make the action alive. In addition, effects were installed, which are known only from blockbusters such as the rapid exposing extremely loud sounds or the juxtaposition of different voices in one sentence. In the limited edition of this three-part of the audience still further samplings of Andreas Meyer may eavesdrop.

Conclusion:
Although speakers and music quality are just as high-profile as before the break, can this "Dorian Hunter 25.1 Mummenschanz" do not carry over a longer period, if the script is just very boring and confusing. I would never praise everything up what Marco Göllner has managed with Dorian Hunter, but it is also very frightening, as the actually known by a new author but can act so strange.