There in the work of Frédéric Pajak a mystery that operates over playback. Random personal considerations the author plunges us into the destinies of Walter Benjamin, German Jewish philosopher hunted by the Nazis and the French police, sold and rejected by the Spanish authorities and the American poet Ezra Pound fascinated by Mussolini; and antisemitic notoire.Le look makes round trips between text, words, speech and evocative drawings in ink. The heart sinks when reading the last pages and the beauty and dark illustrations add dramatic tension. The text of Frédéric Pajak borrows the windings of his thoughts, his memories and biographical references of these two characters. Remains the mystery of a work except where we like to get lost, to replay and watch again and again to understand and remember.
