"Yes, for a trip to the Mediterranean" began my enthusiasm for Friedel Henschleben and Cyprys for me. (Wrote among other things the "Egon" for Friedel Henschleben) The text witty, the composition of Heino Gaze very quick and catchy. As a "comedy tango" were the Friedel-Henschleben-hit "Fernando" from the color film "Symphony in Gold" with JOACHIM FUCHS BERGER and designate "Dear Sergeant". Yes, "schmaltzy" (but in my opinion as a parody) it went at Friedel Henschleben course too, example: "The Försterlieserl", actually already a well-known hit from 1953. What was there in 1955 to? Peter Alexander sat down definitively by, Vico Torriani was still at the peak of success, MARGOT Eskens had their first hit with "Mama, I should like today 'ausgeh'n" Heinz Erhardt sang the "Miss Mabel" GITTA LIND called himself now ISSY PAT, BIBI JOHNS danced prefer the then very popular dance craze "Mambo". Really rare but much sought Schlager are also represented: "Monsieur taxi driver" (Lys Assia), "The new Spring Shut" (Vico Torriani), "What do you need money again?" (Rita Paul and Bully Buhlan), "Night in Paris" (Lys Assia), "Teddy make dance music" (Illo Schieder). I almost forgot an important hit, "Get in the dream boat of love" with Caterina Valente and SILVIO FRANCESCO (they called themselves "Club Indonesia") is today like Heard titles of 1955
