Behind a title that evokes all the rigor of an academic study actually hides a zany text and delightfully pleasing. The "postextuelle method" consisting in thinking that "there is no other text than that the act of reading brings out," says Franc Schuerewegen here which interpretations raises his reading of La Recherche du temps perdu. These are often unexpected. The evolution of taste Narrator for oysters would be an illustration of the parallel evolution of his sexuality. The famous "Petite Madeleine", whose initials are those of Proust, indirectly derive from the Notre-Dame de Paris Hugo. At the end of the search, the Narrator, having just lost his memory, is reminded by some souvenirs Charlus, who would become the real author of the novel. And Andre Breton, when he worked for Gallimard, would voluntarily botched his rereading of Guermantes by jealousy Proust, whom he would have recognized a prominent Dadaist. These different ideas are delightfully iconoclastic argued in a humorous style. Without necessarily adhere to each of theses exposed, it takes a fresh look on the work of Proust. This book is a little, for the search of lost time, that "Room 237" is Shining Kubrick: the very personal decrypting a masterpiece. And when, in Time Regained, Proust wrote: "Every player is when he reads the own self-drive" is not it a kind of legitimation of the process "postextuelle" developed here?