A beautiful drive which can not be booked as nostalgic ABBA

I'm a little surprised and somewhat embarrassed condescension of blurb that the product team ... François ALVAREZ, pledged copyrighted Music Story, seems little to the cause of the disk it is supposed to present and defend "officially". This album of Agnetha Fältskog, 63, is a delightful little wonder that fits well with the Europop-variety vein was also that of Abba. Timeless music which she was with Anni-Frid LYNGSTAD, the voice signature for ten years. Certainly helping auto-tune, found the juvenile immediately recognizable timbre and little I care suggest that we go with a derogatory hint of malice, that this report is a miracle of technology. What is the current pop-diva whose voice would not be a studio facelift? Moreover, this album is full of great songs: Jörgen Elofsson all signed, skilled Swedish producer who shone behind Britney Spears, Kelly CLARKSON, Ana JOHNSSON and many others.

I liked ABBA, big deal! I'm not on the run after reformation: the work is time-barred and that's fine as well! Relatively speaking, that would mope that MOZART died at age 36 depriving us of many masterpieces? ABBA's death, the work rest ... Agnetha is alive and is pleased that, at long, it draws the attention by quality discs like this. A very different from the previous record, 'My Colouring Book' (2004) where she had delivered some wonderful reinterpretations of classic pop inflétrissables. Ten years later, she returns with the 'A' and the charm works from the first listen. A charm, of course, will go to the heart of nostalgic (there is, from this point of view, properly shocking titles both by words and by the arrangements) but a charm that exceeds, pace Francis ALVAREZ the only lovers of retro-pop and the fire of public ABBA.

'A' (2013) is an album that, if he had been properly distributed in France, have shown that far from being a "has-been" devoted to a tour of old glories in evil of recognition is Agnetha Fältskog a lady along with a delightful singer. It works today in a renewed repertoire serve with the class we know it. A class which has never been stingy before, during, and after that was enchanted decade ABBA and our rightful mirrored accompanied by touching the tip of assignment that must be any return to the past . I like Agnetha (I like Anni-Frid) and I do not see that we should lay low to defend an enjoyable drive. A disc that honors pop and which it is not appropriate to love in secret as if it had become shameful, France, to speak well of an Agnetha Fältskog album.