The story in a thriller genre occult investigation and puzzles, is often compared to Da Vinci Code. However, I invite those who did not like it the will to discover the centuries for several reasons: In addition to the excellent pen, believable characters and beautifully developed by the assumptions (on art, religion, history, philosophy ...) are documented in a very professional manner and what is the order of the supposition is clearly expressed as a hypothesis, not a fact demonstrated; the reader is treated with respect and intelligence, not abused his credulity (when Henry Loevenbruck example speaks of the Mona Lisa he is informed that it is a painting on wood, which is or the case of the Da Vinci Code that rolleth!?! From Skidamarink or the Guillaume Musso who tears it?!? (and indeed even the book cover, see for yourself).
His pen is beautifully neat and precise.
The sublime development of main characters, original without being caricatured, an endearing emotional depth is also a strong point of the work.
For all others: you will find all kind of delicious ingredients, expertly mixed and very cleverly dosed in a tasty ingenuity and work whose intelligence you delight to the great end which alone sums up the respect that the author has for the readers.
