The good old debate about the superiority of the songwriter is really a tautology because his words out of his mouth, so they sound more real ... but what alchemist esthete is able to extract the emotion to say if it is genuine? What thought this shortcut is to believe that 2-3 couplets and a refrain full of emotion for themselves .... The interpreter that creates title, anime, gives it life and how intengible installation for all future occasions. This is the merit of Celine Dion with this album. ; the best in my opinion 3 from association with Goldman. While the direction of the English recordings is plural, that of francophones in Quebec disks approaches unity. Arrangements are entrusted to E. Benzi, an expert in chants further the desire of elevation (F.Hardy told him that the sound of the superb "So many beautiful things," Ballad of the eponymous album released in 2004) . We have here a disk whose motto is the sweetness: the voice is more often caressing, (much less high-pitched and acute on Let's talk about love) and concerned nuances that prowess. Céline appears rested, relaxed, like a cotton bath. The words are placed with precision and finesse on simple melodies tinged with exoticism ("Abandoned") to lyrical impulse ("Butterfly") and gospel sounds ("sing"), or sometimes a little outdated ( "While waiting his steps"). More sustained tempos marked tracks mounted to the stage like "Earth" or "In another world," become a major tours. Titles that also evoke dominant traits of the singer: a sense of reality and an angry optimism ("I questioned life at any moment, I saw" it says you a reporter at the time ). Some little daring in topics were paid less: "Zora Smiles" evoking in somewhat antiquated a young Algerian victim of xenophobia does not really seem to win while but the very bare "If it were enough to love" sounds like a real little poem ("I have blood in my dreams, a dried petal / When tears are gnawing at me that others have paid" ..). Often decried the formatted character dd'interprétation labor Celine Dion without stressing that it recognize men of all nationalities studios: its clarity, its spontaneity (1-2 voice made for French disks) and strength . This last aspect is particularly well illustrated in the muscular "All blues are written for you" makes insubmersile from the Canadian ship "on the side of Louisiana: It prefigures the very good" that's just the woman in "seemed on Taking Chances in 2007. Nice to finally exercise this third title like "We do not change" little instant star when observed how far the granddaughter of Charlemagne she wants to keep her.
