This book can be considered an "indispensable" for any musician wishing to tackle improvisation. It develops theoretical, mental, internal provisions of the musician as well as practices and advanced areas of music theory. It caters to jazz in particular, but in the broader sense, indicated by an asterisk placed after the term and jazz *. He also mentioned other improvised music. Any musician worthy of the name must find his honey in these pages and deepen his perception and musical skills. It should be noted that the book can be read both ways cursive that transversely through all references found playing; perhaps can you combine the two reading the first time from A to Z and then back so chosen on the passages that concern us most.