Another Dvorak, another Gershwin

It is probably not often listen this unique violin concerto. Wedged between the piano, less inspiration, and the cello, masterpiece, his position is a little uncomfortable. But clear sound quality that gives Liza Ferschtman his instrument away from folk romanticism of some, together with uncompromising modernity Mario Venzago ensures healthy competition and a healthy alternative to having references of Czech decades. As for the American in Paris, surenregistré he called face ourselves as Venzago was able to do with its controversial Bruckner: stripping reading, brilliant, accurate, supported a breathtaking accuracy desks. Miking up to these ambitions.