Even though I was 47 Ronin only grow as a film, there were two things that were perfectly managed: The opulence of the amenities of the film and the music. Now standing alone without the movie images of this impression was further strengthened with the music. Ilian Eshkeri created music that will appeal to anyone who varied orchestral soundtracks like. It covers the whole spectrum from quiet to dynamic music, but sometimes sinister, what the film in much too short-down fantasy aspect emphasized to bombast, where you can think in the middle of a swordfight. And in all these facets woven daily new Japanese sounds that you will always be reminded of where the plot of the movie plays. Which was not the film is the music: Perfect.
