Clara Haskil was undoubtedly a great artist. The hymns of praise regarding the other reviewers. This recording I can understand but only conditionally. Mozart was not a sickly and ailing contemporary that you have to handle with kid gloves. My idea for the Mozart game are not an Elysian sky boy who is hard to beat in fragility and ethereal barely, but an extremely life-affirming, pleasure and distressful people. However, this latter view gives Haskil Mozart game certainly does not. You hear yourself compared to a Artur Schnabel (my ideal of Mozart game), and you will have an idea of what I miss in this recording [Fricsay also adapts this (over-) caution on]. When a neurosurgeon writes, as I read in another review, he let the sounds of Haskil recordings of Mozart concertos running in the background with his OPs, then so is a lot said about the character of this recording.