Compressor too much?

So I got the SACD box eagerly anticipated and it in my possession. Since 11 days
Inserted every day in the magnate SACD player, of course, still have not heard all SACDs, with some I stayed namely hanging.
That alone speaks for this box.
But why I give only 4 points instead of possible 5, for the following reason:
I have a few albums just in the mix too bright, for example, the theme song for the "Going For The One" ...
Where it is not the frequency response is probably alone, which leads to an unsatisfactory sound result, no, it seems almost all traces to have been sent individually by the compressor -
The result is of course a fantastic audibility, every detail is illuminated, and sounds that were originally envisaged to hear in the background gerademal, mix now with the front.
As welcome as this is also, in the long run you tired while listening, the music is annoying and stressed out at some point. That was in the earlier publications never (I think) of the case (unless remastered was).
"90125" is unbeatable in my opinion, in the original vinyl mix, the first CD release is still okay, later remastered CD I find not so great.
I would have expected that one is based on the SACD with the dynamics of the first publication.

"Close To The Edge": When the SACD bass growls great, but unfortunately, always identical, the bass was really originally recorded so?
In comparison, the Limited Edition SACD edition, which was mixed by Steve Hoffman, there are guitar drums and bass tracks more dynamics and impulses.
The "normal" CD with the elaborate cardboard cover is ideal if you want anyway has no SACD playback control.

"Fragile": wonderful Guitar-Opening ("Roundabout") - compared to the SACD sounds the CD from the 1990s, although very musty, but also cozy.

The three albums that I find really first class in the SACD edition are,
"Yes": great space, which significantly extends laterally across the pit to the outside. Round sound, slightly rough to the louder parts, very appropriate! The music is simply awesome, echoes of Sgt.Pepper ("Beyond & Before"), quote from the C Minor Fugue by JS Bach WtKl Bd.I ("I See You") SACD great !!
"Time And A Word": Orchestra Hall has its own space on the left, Hammond organ alive right ("No Opportunity Necessary, No Experience needed")
Uniquely exciting.
"Yes Album": Great round sound with full low-frequency signal.
Somehow I can not escape the impression, as if the individual albums have been remastered by different engineers?

Conclusion: If you are satisfied with his previous recordings of the group Yes, should consider whether it engages with the new mixes.
If you feel like a musical adventure, maybe just for you! :)