Someone could claim that Brandon Flowers with his solo debut at just the already beaten and his band "The Killers" paths between pithy Brit-rock and sugary Radio Pop moves that we all ready with his distinctive voice now for several Connect years. But These kinds of envious critics can save you need in terms of "Crossfire", because the top killer delivers here although not innovative, yet perfectly durchkonzipiertes and -komponiertes piece radio-friendly pop-rock at how to love in him car radio lead on the way to work or a glass of wine with friends or loved ones to heart. The mid-tempo piece starts left to melancholy; the verse is built up slowly and finally culminates in a highly emotional, fervently recited heartbreak chorus. The best moment of the song is to me, however, the key change, which forms the transition to the bridge ("Tell the devil he can go to where He came from ..."); this part of the song works so wonderfully warm and conciliatory, but comes at the end of course again in the great chorus about to better way to end the song. For some, this might pop off the drawing board, but ultimately can not and should not really but now constantly innovate every musician and need to reinvent the wheel. I think you can be happy that one still has enabled composers in the 21st century, pursuing out of conviction the complacent and radio-friendly guitar rock - that is both simple and charming style, we all love so since the Beatles.
