A beautiful cross-section

With Seven Pounds rhyme came into the Main Stream on scene. It was a good album, with lyrics that had somehow not much to do with rhyme. Too slick, too calculating and too calculating. The same applies to the sound that many dubbed as softened. But the album was not bad, but far from what the rhyme mattered. But success proved rhyme law. All the Best really contains many firecrackers and the tracklist is more than appealing. But already the first song "Damn I love you" is no longer rocky but adapted by her sound. The driving music is gone, what remains is a great text which reminds a sound garment on Seven Pounds. Similarly, it goes on with "I dreamed of you." Basically it goes through so all Best Off.

These new arrangements are a double-edged sword. The new sound robe leaves old fans like me shake his head, but all who have joined with Seven Pounds will be pleased to hear the old classics in that very sound robe. My only problem is that the smooth ironed sound to me can not compete with the original sound, apart from the fact that the text does not fit in this "everything is great" atmosphere that wants to create the music. And rhyme was always rocking, even on the albums on which he has rumexperiementiert. Again, there are some rock deposits, but are limited.

Clear the Best Off is not bad, clearly there are the ancient texts. But the music has changed and adapted over time. I think it used to, but not bad. The music hits just the basest instincts of our people that everything will be fine anywhere. This can be difficult to resist, especially when it was so perfectly arranged and exactly the right buttons are pushed.

For the old hands goes with the album probably a world under, but you have probably used to the new rhyme. I am very excited about his new album, but the direction is dictated and I doubt it will change a lot of rhyme. The Best Off is alone worth the song choice a purchase. In addition, the songs are obtained in a modern guise. Basically can not ask for more.