So you could best express their newest album well. Utada Hikaru probably seems to want from the Japanese music market, where it has achieved just about anything to break in order to take on the big wide world. And she has done her homework, with many varied tracks that shine with an interesting, completely English album between genres such as soul, funk, RnB with a dash of electro and rock. Especially tracks like "Hotel Lobby", "Exodus," "Wonder Bout" or "Kremlin Dusk" show their courageous efforts with many creative ideas that underline their potential and the audience entertained at the best and reward. It is a pity that her voice was not so to advantage comes in as your Japanese albums in which she was apparently still better off than in "Exodus". You please get me wrong ... the lady can their vocals perfectly and puts a great show out, because she grew up in the States, though lacking some of the charm with which they enchant their Japanese albums. It almost seems as if she wanted to sing dieTracks prefer in their native language. Nevertheless, their courageous commitment seems to pay off the success in America seems indeed to give her right. No wonder, because regardless of whether dreamy Japanese albums or "just" a phatastisches English album ... it remains a class of its own, which I hope will influence the global music scene show sustainable.
