Recall the plot. The universe is an onion peel which each represents one dimension, a plane of reality. Each dimension is a history that drifted in a particular scenario. The whole forms the Infinivers. In his laboratory, punk Scientific Grant McKay has designed more or less legally "Pillar", a machine that can move from one dimension to another, opening the possibility to go in the other dimensions reap fabulous inventions that will save humanity. Finally, the humanity of the dimension of this Grant MacKay. The latter, Pia and her two children Nate, her laboratory team with Rebecca his mistress, his immediate superior Kadir etc. find themselves prisoners inconsistent jumps "Pillar" from one dimension to another, the fact that this machine was sabotaged.
Recall the generic compound Rick Remender for the scenario, the Italian designer Matteo Scalera and colorist Dean White. These three were found well! Marvel Comics to be precise.
While the first 6 chapters in the previous tome saw the dysfunctional group can visit four other dimensions thanks to the Pillar jumps, in the second volume is set before us a unit of time and place. This does not mean that action, suspense, delirium and cliffhangers slow down. On the contrary. Moreover, the narrative that involves what we are offered the profound reflections of the main character in each episode the action of counterpoint strengthens it (already "speed" with drawings Scalera) and the general shift the work. But both these thoughts in the main action, revelations about the characters involved in the team that are struggling to stay alive or at least one piece. Or that tend to increase the avatars ...
Will, as happens for the most popular manga, Image Comics and the authors agreed on the fact that this was too good to stop so quickly? In that case, how far do the authors continue the series? **** 1/2