Dear today

Okay, even if the horse is already pretty ridden, you come to this conclusion once again not around: What would have happened if the two Gallagher brothers could not get in 2009 so in the hair that a resolution of the so great as megalomaniac band Oasis seemed the only way out? In all likelihood, we would have just laboriously scrape together some residual euphoria in order to flag down a full-bodied again advertised, but exceedingly boring late work, a yawn would thereby suppressing hardly. And it had not been for these four highly successful solo albums (to which one must certainly include the present) who submitted Liam and Noel, seemingly freed from the paralyzing pressure of expectations, with new entourage. And even if Beady Eye are history again, so have both she and the High Flying Birds, the two apparently driven to bring their respective skills to bear on the appropriate self-consciousness it has them anyway never lacked.

And so the soulful Britrockabkömmling BE follows now in peaceful competition, the less wide-legged, rather melodious reply Chasing Yesterday, an amazingly perfect (because self-) produced songwriter album with lots of catchy arrangements, a good-humored, increasingly mild-bandleader and in the guest role captivatingly aufspielenden Johnny Marr. About the lyrics need not to lose too many words, alongside wistful retrospect (The Song Remains The Same) and a frugal pinch self-pity (The Dying Of The Light) there as usual a lot of what Gallagher for the most important thing because truest keeps Girl -Boy, Girl-Girl, Boy-Boy, Man-Dog, Cat Dog (SPEX), where he indulges in a rather melancholy, almost romantic way of seeing things, sounding not at times embarrassing.

In The Girl With The X-Ray Eyes, a wonderfully verschwurbelten of this guitar numbers, Gallagher brings a kind of winking SciFi ballad under (I try to hang on to myself, do not believe in no one else and I'm shaking like a leaf, as I fall into the street, but the girl with x-ray eyes she's gonna see through my disguise), the fine The Right Stuff surprised contrast with jazzy embellishments and Psychrock bonds. And if all these unexpected trips still not sufficient, which may be at The Mexican still Gallaghers interpretation of Funky Cold Medina pick (without Rap of course, because of which he holds, as we were recently read very little). Apart from one or two through hangers, the smart egomaniac who even now already tightly approaching fifty, a more than decent, in some places even great album succeeded. We can only hope that he, given the vast sums that could be probably called at any time for a reunion of Oasis, not still his principles overboard raises fundamental, there are, at least from a musical point of view, none of the two brothers. mapambulo: blog