Breathless through the night "- included in the current Helene Fischer Album Farbenspiel". The colorful game of timbres on color play "certainly the biggest surprise. A song by anthemic character. Dancefloor-compatible. An up-tempo number, which brought a huge shot modernity in the musical universe of Helene Fischer. A song in which one could see, that as well as he was in it already, is still a lot more potential. And so the album version was quasi the demo version, the foundation for a daring experiment.
Helene Fischer Goes Dancefloor - the Second! And because experiments must also carry the risk of failure in itself, to finally find a product that idea was taken up again. And this time was thought in long lines. Boldly put on innovation. For the For a day "tour were created Helene Fischer a XXL playground - and present thereon one is now in the corner of the road, the signpost with adventure playground" features.
The advance on the net circulating brief audition in Florian Paetzold Remix "suggested that the shallow line of The Ultimate Dance Mix" is continued. A arg down braked monotonous slow-motion version of the Chill lounge was taken from the up-tempo song. And this version is in the ranking of 13 remixes surely to settle at the lowest end - because (!): The rest is unbelievably good!
The gate in a new musical dimension in Helene Fischer sound universe was pushed quite large and the astonished listener reveals a soundscape of immense size!
Whoever had the courage to enter the song in the hands of a Sean Finn and had the courage to make this remix by waving, deserves the highest respect. The Sean Finn Remix "is a supernova that since exploded in tonal spectrum of Helene Fischer. Big Beats at its best. This version can be played in an Electro-set easily by the great masters of The Prodigy. Extremely harsh electronics ascended fat, the Beats have an enormous impact. techno hardcore at its finest. An urban underground Floor killer track! There's nothing more to mainstream! I am breathless voice and the face of these sound-beast that was there let off the leash. aggro Power ! in your face The Beats brawl through the ear canals, infiltrate the rhythm center and put the sweaty body in twitching Ekstakse pleasure pulsating on my skin. "- a sound that has become an aphrodisiac! Who still takes the face of this sound the word monster hit in the mouth, did not recognize that Helene Fischer is limitless!
Not quite as animalistic aggro, but the entire surface trimmed to the Dance remixes by Bass Flow (including remixes for Loreen, Roxette, Hurts, Lana Del Rey) come along. Wide-scale Sphärenklänge, rich beats, bombastic electronics - these versions, the full club suitability are awarded. That's electro-pop choicest Couleur.
Pulsating the Pope Remix "of the radio mix, where the musical director Christoph Papendieck docked with hand. Vokalistisch convinced Helene Fischer with their new eingesungenen vocals, proving that her voice in combination with the most modern electronics can enter into a congenial solidarity.
The A Klass Kuduro "versions exude summery flair a la Lambada, are as ideal for form-fitting dancing on beaches in summer nights.
Massive remixes are really an anachronism, a relic of the 90's. But it is precisely due to the contemporary orientation of current club sounds again a trendsetter. No stuffiness cheaper Bontempi-pop sounds, but a bold move to get out of altbekanntem terrain. That's true spirit of research that makes growth possible.
For the tradition-conscious Helene Fischer fan these remixes may be a sacrilege - all other dancing breathlessly through the night "and be part of the story of creation in a new Arae of Helene Fischer - I hereby authorize the erstwhile pop queen knighted and appoint them to the dancefloor Queen!